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The album was nominated for Best Rap Album at the 2007 Grammy Awards. "Swagger International" ( Japan bonus track)
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"Skateboard P Presents: Show You How to Hustle" (featuring Lauren) "Young Girl"/"I Really Like You" (featuring JAY Z) "That Girl" (featuring Snoop Dogg and Charlie Wilson)
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"You Can Do It Too" (featuring Jamie Cullum) He swore he’d never make another solo project, citing that it wasn’t for him." Can I Have It Like That" (featuring Gwen Stefani) In My Mind, even if it wasn’t a failure for Skateboard P diehards, it was one for Williams. “Yeah I escaped, but my memories won’t fail me,” he assured on growing up in VA. He even aped Pusha T & Malice on “Skateboard P Presents Show You How To Hustle,”, a sinister organ and drum move that felt like a B-side to H ell Hath No Fury. The pop moments such as “Angel” with its driving pianos and cheesy lines (“She got a ass like loaf of bread / You want a slice…”) and “That Girl” with Snoop Dogg would probably clog up Top-40 radio in this climate.
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The lines were affable (“Life’s got a fat ass / Trust me, I’mma f*ck full steam”) yet thanks to P’s boyish nature, you got over them. It picked up a bit with “You Can Do It Too” where he offered even more slushing moments of his own worth, though it was enjoyable. “Best Friend” suffered because just as it detailed losing his grandmother from cancer and playing bystander to the ills of growing up in Virginia Beach, it descends into self-help therapy. All the confidence displayed on The Prequel was reduced to stutters, off-beat placating and more. Half rap/half pop and R&B, the prolific moments where Williams showed off vulnerability ( “Best Friend”) rap wise were doomed by clumsy, outright klutzy delivery. However, it was far too busy, even for someone who operates slyly by bringing people and sounds into his orbit. It had Jay Z still shaking off rust from “retirement” alluding to Beyoncé on “Young Girl”, Snoop Dogg added to a summery two-step in “That Girl”. It shouldn’t have been out sold in its first week by LeToya Luckett’s debut album and a N ow This compilation. By the time In My Mind properly arrived in July of 2006, Pharrell was everywhere - and lacked a center to hold it all in. It allowed Pharrell to be centered knee-deep in his ego but the want, the need to stretch further would continually pull him. There he was, flipping ego-filled bars atop Raekwon’s “Incarcerated Scarfaces,” GZA’s “Liquid Swords”, Eric B. “I’m a great rapper right?” he asked on the close to his verse before the paranoid synths and clanging 808s ushered in Dro’s performance. and an emerging Young Dro, laughing at himself. On Jeezy’s “Trap Or Die”, he stood bar for bar with T.I. It stands as one of the more underrated discs in Drama’s Gangsta Grillz collection and let Pharrell run wild. As a prelude to In My Mind, Drama and Williams teamed for In My Mind: The Prequel in April of 2006. The avatar translated into simple album art, one that DJ Drama would capitalize on.
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When Pharrell debuted the character generator through a collaboration with BAPE founder Nigo in 2005, it became the avatar for thousands of MySpace profiles. MySpace still had a foot in the door when it came to relevance and cultural importance. Blog culture wouldn’t peak until 2011 with the New Music Cartel. Kanye West’s UniverseCity blog wouldn’t arrive until 2007 on the heels of Graduation. In 2006, rap advertisements hadn’t become completely wedded to the internet.